What makes a good.....?

What makes a good wardrobe stylist ?

Good wardrobe stylists discusses the theme of the shoot with you, looks at the model, obtains the model’s sizes and pulls clothes from the showrooms. Your stylist should have more than rather than just enough clothes for you to choose from. For example; if you are shooting a six page editorial, the stylist should bring at least twelve different outfits for the photographer to choose from. The wardrobe stylist also should bring accessories that go with each outfit. I’m talking jewelry, purses, hats, shoes etc. If the wardrobe stylist asks you to show her or him an example of what you want, that is ok BUT you shouldn’t have to show her a two inch thick folder of examples. It is the wardrobe stylists job to take your vision, or the client’s vision and make it a reality. It is also your job to keep up with the trends in fashion. That is why fashion photographers shoot fashion, we love the clothes. So look at magazines etc.

When the stylist arrives on set, it is your job to look through the clothes and tell the stylist what you want the model to wear. DO NOT be intimidated and let the stylist tell you what the model is going to wear. If you are shooting for a client( not a test ) then you and the client picks the clothes.

choose an exercise

One should choose an exercise regime based on what output we plan to achieve. For example, there are different sets of exercises to be followed for losing weight, toning muscles, increasing flexibility or even a general all-round programme. Losing weight requires burning more calories than you consume, which can be achieved by implementing cardiovascular exercises.Weight training serves your purpose if muscle tone and definition are your priorities. If flexibility is your objective, focus on stretching. And a combination of all three goals will help you achieve an all round fitness combined with a healthier heart and lower cholesterol levels. However, remember to stretch for at least five minutes before beginning any workout.
Positive

positive

1. According to Feng Shui, introduction of lights in your house can generate positive energy.2. Allow energy to flow easily into the house by ensuring that the doors and windows open easily and in case one doesn't, tie a red ribbon to the handle to help activate Feng Shui.3. Place a lot of smiling photographs all over the house to induce a happy atmosphere.4. Yell more often. This releases your pent-up frustration and channelises your tension into a positive atmosphere.10 Resolutions These easy-to-implement resolutions are equipped help you turn a new leaf!Breathe properlyListen to your dreamsGive your brain a holidayHave more funClear your clutterOrganise your budget and savingsList your prioritiesStop juggling and start livingConfidence tricks Replace the 'I want' with 'I feel'· Smile as you talk· Try this posture trick: Imagine a thread pulling your head upwards and another pulling you forwards. This will instantly make you feel taller and confident· Every morning note down what you look forward to during the day. This could include having breakfast, meeting people or socialising with friends.· Pause for two seconds before you react to anything: a firing e-mail, a distraught relative or a horny boss. If you pause, it gives you an upper hand as it makes you think and listen so that you

beauty fashion

History

History

Because "the topic of fashion shows remains to find its historian," the earliest history of fashion shows remains obscure.In the 1800s, "fashion parades" periodically took place in Paris couture salons.American retailers imported the concept of the fashion show in the early 1900s. The first American fashion show likely took place in 1903 in the New York City store Ehrlich Brothers. By 1910, large department stores such as Wanamaker's in New York City and Philadelphia were also staging fashion shows.These events showed couture gowns from Paris or the store's copies of them; they aimed to demonstrate the owners' good taste and capture the attention of female shoppers.In the 1970s and 1980s, American designers began to hold their own fashion shows in private spaces apart from such retailers. In the early 1990s, however, many in the fashion world began to rethink this strategy. After several mishaps during shows in small, unsafe locations, "[t]he general sentiment was, 'We love fashion but we don't want to die for it,'" recalls Fern Mallis, then executive director of the Council of Fashion Designers of America. In response to these shows, the New York shows were centralized in Bryant Park during fashion week in late 1993.Runway (fashion)Runway describes a narrow, usually elevated platform that runs into an auditorium, used by models to demonstrate clothing and accessories during a fashion show.It is sometimes called ramp, as in "walk the ramp".CatwalkCatwalk describes a narrow, usually elevated platform used by models to demonstrate clothing and accessories during a fashion show. The term probably derived from catwalks that connect adjacent buildings. The term may also be derived from a more literal meaning, as models on the catwalk often use a walk which is like that of a cat, placing one foot directly in front of the other to produce an alluring swagger in which the hips take on a more exaggerated movement. In fashion jargon, "what's on the catwalk" or similar phrasing can refer to whatever is new and popular in fashion.A catwalk is also known as a runway, especially when it is not elevated. This form has been used in such instances as the title of the television series Project Runway.Catwalk ConditionsMany High Couture fashion brands such as Christian Dior,Vivienne Westwood and Louis Vuitton have been accused of exposing models to dangerous and harmful conditions on the Catwalk, some Catwalks stretch up to 45 meters long and it makes it impossible for models to stay upright with a combination of extremely high heels and a slippery Catwalk.Some Catwalks have been made from fake grass, plastic and PBC materials.DocumentaryCatwalk, a documentary covering life on the fashion runways, was filmed in 1993 by director Robert Leacock and premiered in 1996. The film followed models Christy Turlington, Naomi Campbell, Yasmin Le Bon, Kate Moss, and Carla Bruni as they jetted around London, Milan, Paris, and New York during Spring Fashion Week, including behind-the-scenes footage. The film was shot in black and white and color, and featured many top designers at work, like a young John Galliano, Karl Lagerfeld, and Gianni Versace four years before his death.

Fashion show

A fashion show is an event put on by a fashion designer to showcase his or her upcoming line of clothing. In a typical fashion show, models walk the catwalk dressed in the clothing created by the designer. Occasionally, fashion shows take the form of installations, where the models are static, standing or sitting in a constructed environment. The order in which each model walks out wearing a specific outfit is usually planned in accordance to the statement that the designer wants to make about his or her collection. The way that each outfit is presented on the catwalk isn't necessarily the way the designer is trying to make people wear his or her creations in everyday life. In this instances, this is more of an intellectual/artistic construction of the designer for the same purpose of making a statement or presenting a particular idea. It is then up to the audience to not only try to understand what the designer is trying to say by the way the collection is being presented, but to also visually de-construct each outfit and try to appreciate the detail and craftsmanship of every single piece. A wide range of contemporary designers tend to produce their shows as theatrical productions with elaborate sets and added elements such as live music or a variety of technological component like holograms, for example.

Fashion


refers to styles of dress (but can also include cuisine, literature, art, architecture, and general comportment) that are popular in a culture at any given time. Such styles may change quickly, and "fashion" in the more colloquial sense refers to the latest version of these styles. Inherent in the term is the idea that the mode will change more quickly than the culture as a whole.

The terms "fashionable" and "unfashionable" are employed to describe whether someone or something fits in with the current or even not so current, popular mode of expression. The term "fashion" is frequently used in a positive sense, as a synonym for glamour, beauty and style. In this sense, fashions are a sort of communal art, through which a culture examines its notions of beauty and goodness. The term "fashion" is also sometimes used in a negative sense, as a synonym for fads and trends, and materialism. A number of cities are recognized as global fashion centers and are recognized for their fashion weeks, where designers exhibit their new clothing collections to audiences. These cities are Paris, Milan, New York City, and London. Other cities, mainly Los Angeles, Berlin, Tokyo, Rome, Miami, Hong Kong, Sao Paulo, Sydney, Barcelona, Amsterdam, Madrid, Montreal, Vienna, Auckland, Moscow, New Delhi, San Juan, Dubai and Dallas also hold fashion weeks and are better recognized every year.


Clothing.


The habit of people continually changing the style of clothing worn, which is now worldwide, at least among urban populations, is generally held by historians to be a distinctively Western one. [dubious - discuss) At other periods in Ancient Rome and other cultures changes in costume occurred, often at times of economic or social change, but then a long period without large changes followed. In 8th century Cordoba, Spain, Ziryab, a famous musician - a star in modern terms - is said to have introduced sophisticated clothing styles based on seasonal and daily timings from his native Baghdad and his own inspiration.

The beginnings of the habit in Europe of continual and increasingly rapid change in styles can be fairly clearly dated to the middle of the 14th century to which historians including James Laver and Fernand Braudel date the start of Western fashion in clothing. The most dramatic manifestation was a sudden drastic shortening and tightening of the male over-garment,
from calf-length to barely covering the buttocks, sometimes accompanied with stuffing on the chest to look bigger. This created the distinctive Western male outline of a tailored top worn over leggings or trousers which is still with us today.

The pace of change accelerated considerably in the following century, and women and men's fashion, especially in the dressing and adorning of the hair, became equally complex and changing. Art historians are therefore able to use fashion in dating images with increasing confidence and precision, often within five years in the case of 15th century images. Initially changes in fashion led to a fragmentation of what had previously been very similar styles of dressing across the upper classes of Europe, and the development of distinctive national styles, which remained very different until a counter-movement in the 17th to 18th centuries imposed similar styles once again, finally those from Ancien Regime in France. Though fashion was always led by the rich, the increasing affluence of early modern Europe led to the bourgeoisie and even peasants following trends at a distance sometimes uncomfortably close for the elites - a factor Braudel regards as one of the main motors of changing fashion.

The fashions of the West are generally unparalleled either in antiquity or in the other great civilizations of the world. Early Western travellers, whether to Persia, Turkey, Japan or China frequently remark on the absence of changes in fashion there, and observers from these other cultures comment on the unseemly pace of Western fashion, which many felt suggested an instability and lack of order in Western culture. The Japanese Shogun's secretary boasted (not completely accurately) to a Spanish visitor in 1609 that Japanese clothing had not changed in over a thousand years. However in Ming China, for example, there is considerable evidence for rapidly changing fashions in Chinese clothing.

Ten 16th century portraits of German or Italian gentlemen may show ten entirely different hats, and at this period national differences were at their most pronounced, as Albrecht Durer recorded in his actual or composite contrast of Nuremberg and Venetian fashions at the close of the 15th century (illustration, right). The "Spanish style" of the end of the century began the move back to synchronicity among upper-class Europeans, and after a struggle in the mid 17th century, French styles decisively took over leadership, a process completed in the 18th century.

Though colors and patterns of textiles changed from year to year, the cut of a gentleman's coat and the length of his waistcoat, or the pattern to which a lady's dress was cut changed more slowly. Men's fashions largely derived from military models, and changes in a European male silhouette are galvanized in theatres of European war, where gentleman officers had opportunities to make notes of foreign styles: an example is the "Steinkirk" cravat or necktie.

The pace of change picked up in the 1780s with the increased publication of French engravings that showed the latest Paris styles; though there had been distribution of dressed dolls from France as patterns since the 16th century, and Abraham Bosse had produced engravings of fashion from the 1620s. By 1800, all Western Europeans were dressing alike (or thought they were): local variation became first a sign of provincial culture, and then a badge of the conservative peasant. Although tailors and dressmakers were no doubt responsible for many innovations before, and the textile industry certainly led many trends, the history of fashion design is normally taken to date from 1858, when the English-born Charles Frederick Worth opened the first true haute couture house in Paris. Since then the professional designer has become a progressively more dominant figure, despite the origins of many fashions in street fashion.

Modern Westerners have a wide choice available in the selection of their clothes. What a person chooses to wear can reflect that person's personality or likes. When people who have cultural status start to wear new or different clothes a fashion trend may start. People who like or respect them may start to wear clothes of a similar style.

Fashions may vary considerably within a society according to age, social class, generation, occupation sexual orientation, and geography as well as over time. If, for example, an older person dresses according to the fashion of young people, he or she may look ridiculous in the eyes of both young and older people. The terms "fashionista" or "fashion victim" refer to someone who slavishly follows the current fashions

One can regard the system of sporting various fashions as a fashion language incorporating various fashion statements using a grammar of fashion. (Compare some of the work of Roland Barthes.)